查理和布(🎍)(bù )希這(zhè )兩名熱(🐿)衷靈(💅)異事件的追鬼(guǐ(🗓) )狂熱(🗞)者，只(➿)要哪裡鬧鬼就(jiù(😬) )能見(🙊)到他(tā )們的身影(🔺)。兩人(rén )對於全美(mě(🕙)i )最凶的(de )靈異地點(🛐)(diǎn )「(🤸)悲慘山(shān )」公路(🍰)(lù )深(🚦)感著(📊)迷(mí )，當然不(bú )可(🍙)能輕(😽)(qīng )易放過這(zhè )個捕捉鬼(guǐ )影的(😊)難(ná(⌛)n )得機會。而兩人在(📜)(zài )抵(🃏)達當(🥥)(dāng )地後，也(yě(🏽) )接連(🎊)目睹(🖤)各種離奇詭異的(💢)(de )超自(zì )然現象。

The story of life of a woman Mehri who unintentionally enters into an unknown problem and is searching for a solution for that.

《驴为(👋)媒》故事(shì )发生在(🙊)当下(🎆)鲁西大地(dì )上的(🕉)(de )聊城(💮)市，讲(⛩)述的是在京打(dǎ(🚳) )拼多(📎)年的(de )有志青年，得(🏻)知(zhī )老家惠民(mín )政(🚮)策后，回乡养(yǎng )驴(📺)、带(😳)领(lǐng )村民脱(tuō )贫(🏥)致富(📳)，实现(🥊)自己(jǐ )创业梦(mè(🌾)ng )，并赢得(dé )爱情的故(gù )事;讲述(shù )了党(➰)的精(🦖)(jīng )准扶贫政(zhèng )策(🐍)和乡(🐡)(xiāng )村(🚫)振兴战(zhàn )略(🥤)在齐(📄)鲁(lǔ(🈲) )大地的(de )生动实践(🚤)(jiàn )，展现了基层党员(😽)干部在(zài )全面(mià(💄)n )建成(⤴)小康社会进程中(🚪)(zhōng )的(🌆)“主心(💇)骨”形象。电影(yǐng )《驴(🎥)(lǘ )为(🙀)媒》坚持“小成本、大(dà )情怀、正能量(🗜)”的创作宗(zōng )旨，紧(💗)扣(kò(🤾)u )当前(👅)乡村振兴和(📴)(hé )精(🏒)准扶(🌻)贫(pín )主题，将社会(🏸)效(xiào )益、价值(zhí )引领放(fàng )在首位，引(🏢)导人(⏳)们(men )努力实(shí )现个(🦒)人前(☕)(qián )途(🍩)与国家(jiā )命(🏝)运、(📮)个体(🕕)经历(lì )与时代大(🗼)(dà )潮、个(gè )体情感(💡)与(yǔ )国家情感的(💭)同频(🆙)共振，激(jī )励人们(🔗)向上(🕢)向善(🎩)，自觉践(jiàn )行社(shè(🍅) )会主(🤱)义核心价值观，讴歌(gē )党、讴歌人民(🐨)、讴歌新时(shí )代(🤮)。

这部(🎵)电影(🎯)的故事背景(😛)(jǐng )让(🚤)人不(⛱)禁(jìn )回忆起《逃出(💘)绝(jué )命镇》。一位黑(hēi )人男性（杰森·(⛱)米(mǐ(📊) )切尔饰(shì )）在周(🛃)末(mò(🚔) )的时(🧕)候，因为觉(jiào )得周(🐜)围只(👮)(zhī )有白人朋(péng )友(🌩)所以(yǐ )觉得十分(fè(🛺)n )紧张。当(dāng )然，这(zhè(🖨) )部作(🏍)品与(yǔ )乔丹·皮(🔚)尔去(🍏)年那(😔)部符合(hé )大众口(🛹)味的(🖨)《逃出绝命镇(zhèn )》不(bú )同。智利导演塞巴(🦀)斯(sī )蒂安(ān )·席(🌓)尔瓦(😔)是一(😏)个古怪的人(👏)(rén )，他(🆕)的电(🛶)影如《女仆》、《水晶(🏕)仙(xiān )女》、《肮脏的(de )婴儿》都(dōu )倾向于(yú(👶) )剑走(🏌)偏锋(fēng )，故事开(kā(🏣)i )始会(🚅)有(yǒ(🌵)u )点怪异，而之后则(🧕)(zé )会(🚶)变得(dé )更加怪异(💽)(yì )。这种风(fēng )格对于(💪)(yú )《周末生(shēng )日游(🙉)》意(yì(📯) )味着什(shí )么呢？(🤺)还(há(⭕)i )不知(🏢)道。但我们非常期(🤝)待(dà(💨)i )这种不确定性，况且演员(yuán )阵容(róng )中(🐫)还有克里斯托弗(㊗)·阿(🎺)伯(bó(✌) )特、迦勒兰(🚡)德里(😮)·琼(🥂)斯,迈(mài )克尔·塞(🔶)拉和安·道德。

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

東京國際(jì )同志影展(🥡)參展(🐴)作(zuò )品

民国时(shí(💏) )期军(🕢)阀混(😇)战。来(lái )到烧锅镇(🎎)(zhèn )投(⚽)亲的(de )张扬，在(zài )探(🤶)寻姑父(fù )死因中(zhō(🍳)ng )逐渐知晓(xiǎo )刘天(🦅)德多(🎛)(duō )年前伙(huǒ )同冯(🅰)有等(🔜)(děng )，杀(📤)害镇(zhèn )上烧锅(guō(🕗) )大户(✋)齐家(jiā )抢夺酿酒(jiǔ )秘方一事。最后(hò(🤷)u )在张扬的帮助下(🌜)锄奸(🚹)去恶(📲)(è )、伸(shēn )张(🔓)正义(🔌)，齐旺(🏇)则率众(zhòng )人重(chó(😺)ng )振仁义泉。

Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?

Nina is a mother a little bit crazy, Baptiste a son a little too wise. Angry since a long time they are found for the adventure of their lives. During a trip unlikely, funny and moving, they will catch up the lost time.

A young girl with a special gift struggles to overcome a mob boss' influence over her family in this dark Dust Bowl fantasy, inspired by Hans Christian Andersen's "The Little Mermaid."